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dc.contributorIngenta Connectes
dc.contributor.authorBieletto-Bueno, Natalia [Chile. Universidad Mayor. CIAH]
dc.date.accessioned2020-07-09T22:45:03Z
dc.date.available2020-07-09T22:45:03Z
dc.date.issued2020-04
dc.identifier.citationBieletto-Bueno, N. (2020). ‘La voz del pueblo y para el pueblo’Amparo Ochoa’s vocal trajectory: From the Mexican Revolution to the Latin American Cold War. Journal of Interdisciplinary Voice Studies, 5(1), 9-28.es
dc.identifier.issn2057-0341
dc.identifier.urihttp://repositorio.umayor.cl/xmlui/handle/sibum/6868
dc.identifier.urihttps://doi.org/10.1386/jivs_00013_1
dc.description.abstractAmparo Ochoa (29 September 1946‐7 February 1994) is widely acclaimed as one the most outstanding and versatile performers of the Mexican Canto Nuevo movement. The sympathy that Amparo Ochoa awoke among Mexican and Latin American audiences has been tacitly attributed to a sort of natural charm. Therefore, a supposedly ‘popular’ character within her voice has been substantiated as a result of the political message of the songs she interpreted as well as of the forums where she publicly appeared. Complementing the reiterative focus on either the political context or the discursive elements of the Canto Nuevo, this paper historicizes Ochoa’s trajectory, problematizing notions of ‘the people’ in order to dissect ‘the popular’ within her voice. The main claim is that the general reception of her voice as the voice of ‘the people’ is grounded on firm vocal traditions of turn of the twentieth century Mexican musical theatre, which lingered to the twentieth century but which were recontextualized during the Latin American Cold War. Due to its subjective impact on the listener, these vocal strategies made audiences subjectify notions of ‘el pueblo’ and thus garner sympathies for the movements that opposed dictatorial regimes during the 1970s and 1980s. Such an approach of her voice contributes to assess the role of music and song in the ideological and political projects that framed them as well as to question the affective impact of voice in the listener’s subjectivity.es
dc.format.extent20 p., PDFes
dc.language.isoenes
dc.publisherChile. Universidad Mayores
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chilees
dc.sourceJournal of Interdisciplinary Voice Studies, Volume 5, Number 1, 1 April 2020, pp. 9-28(20)
dc.subjectPerformance vocales
dc.subjectCanto populares
dc.subjectAmparo Ochoaes
dc.subject.otherFolclorees
dc.subject.otherPatrimonio cultural inmateriales
dc.titleLa voz del pueblo y para el pueblo, Amparo Ochoa’s vocal trajectory: From the Mexican Revolution to the Latin American Cold Wares
dc.typeArtículo o Paperes
umayor.facultadARTE
umayor.indizadorCOTes
umayor.politicas.sherpa/romeoRoMEO yellow journal (Se puede archivar el pre-print, ie la versión previa a la revisión por pares). Disponible en: http://sherpa.ac.uk/romeo/index.phpes
dc.identifier.doiDOI: 10.1386/jivs_00013_1


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